At eight in the morning on
Saturday, our studio of fourteen lands at Heathrow—tired and hungry from seven
hours on the plane, but excited about visiting the city and the offices of the
Advanced Geometry Unit. Business class
must make the trip much more tolerable, otherwise, I’m not sure how Cecil
Balmond could stand the trans-Atlantic flight every two weeks or more. It takes us three and half hours to get from the
airport to Paddington Station, then via the Underground to Tottenham Court
Road. Heading up the long, steep escalator to the street, I start to
recognize the place.
We
are near the Architectural Association, one of the best known schools of
architecture in the world where architects such as Zaha Hadid, and Rem Koolhaas
studied in the 1970s. I attended a three-week
summer program at the AA in 2006 and used this Underground stop almost every
day. My interest in non-linear design was first
piqued by a presentation that summer by architects Ben Aranda and Chris Lasch.
Fond
memories of my friends from the program fill my head as we walk past the AA
buildings in Bedford Square and finally reach the Langland Hotel. We drop off our bags in the luggage room and
with me leading the way head out for a proper English breakfast: greasy sausages, runny eggs, and the always
strange baked beans. We attempt to visit
the nearby British Museum to see Norman Foster's roof addition, but the jetlag
overwhelms us and we retreat to the hotel for a nap.
Four small twin beds—two separate
and two joined by full size sheets await myself and three roommates in our
converted attic. The toilet and the
shower are down the hall. It is not
luxurious, but for twenty pounds per person with an English breakfast included we
are happy to deal with our penthouse suite: Some of the other students disagree
and move down the street to roomier accommodations.
After our extended nap some of us
head out toward Trafalgar Square, determined to see the city despite Tuesday’s
looming review. Though I had been to
many of the buildings before, I see
Lloyd's of London for the first time and am shocked to find that Richard
Rogers' "high-tech" structure is concrete. We also see the Tate Modern Museum the Millennium
Bridge, and Big Ben before finding a pub for fish and chips and another strange
English side--mashed peas.
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